Based in Barcelona, we bring together event organisation, production management and live sound expertise. We help artists, promoters and businesses coordinate venues, suppliers and technical delivery for concerts, tours and events.
From a specific technical brief to broader event coordination, we agree the scope around your project, your team and your venue.
We coordinate requirements with venues, artists’ representatives and suppliers, bringing responsibilities and schedules together around the agreed scope.
We develop technical solutions, prepare venue drawings and documentation, and coordinate production schedules with the teams involved.
We support live sound and coordinate audio, lighting, video and stage requirements with the relevant specialists and suppliers. Responsibilities are agreed for each project.
We prepare venue information and local technical requirements for touring productions, aligning access, schedules and responsibilities before each date.
Send us your event date, city or venue, format and the support you need. If you already have a technical rider or production brief, include it with your enquiry.
Concerts in Barcelona and Madrid where White Noise Events organised the event or contracted the venue and coordinated the technical preparation.
White Noise Events organised Dolphin’s concert at Sala Apolo in Barcelona on 19 September 2024. Alexey Belyy managed production and coordinated the technical preparation with the venue, including stage and audio documentation for the visiting production.
White Noise Events contracted Razzmatazz 3 for Animal Jazz’s Piano Version concert in Barcelona on 20 May 2025. Alexey Belyy coordinated the technical requirements and show schedule with the venue for the voice and electric piano performance.
White Noise Events organised Polina Osetinskaya’s recital at Teatro Fernando de Rojas, Círculo de Bellas Artes, in Madrid on 25 May 2025. Production preparation included coordination with the venue and arrangements for the piano and tuning. Ticketing was handled through Lookport.
We start with your event, audience, location and priorities. Together, we identify the support you need and the decisions still to be made.
We agree responsibilities, deliverables, budget and timing. You know what our team will handle and how we will work with your existing partners.
We bring together the technical requirements, venue information and production schedule, and coordinate with the people involved so everyone can prepare for their part of the event.
We carry out the agreed production role, keep communication clear and respond to changes as the event takes shape — from setup and soundcheck through the show.
White Noise Events combines Alexey Belyy's background in concert sound and production management with Ekaterina Bazhanova's experience in artist management and the international music business. Our work connects creative teams, venues and technical partners — from planning and technical preparation to on-site coordination.
As CEO and Technical Director of White Noise Events, Alexey develops technical solutions and coordinates production with clients, artists’ representatives and suppliers. His responsibilities include venue drawings, technical documentation and production planning. He began working as a sound technician at Zinteco in 2000.
For Alexey, a great concert starts with the right people: skilled crews, careful preparation and thinking through what could go wrong before work begins. Safety comes first, alongside sound that works for audiences and musicians alike.
He is also the creator of Monitor World, a series of conversations with live sound professionals about their work. Languages: Russian, English, basic Spanish.
Ekaterina’s background spans artist management, booking and international music projects. Her experience includes music export, consultancy and music business education.
She brings an understanding of artists’ careers and of the relationships between managers, promoters and international partners, complementing the team’s technical production experience.
Live sound, stage preparation and life on the road.
Send the date, city or venue, format and the support you need. If you already have a technical rider or production brief, mention it and we will ask for it.
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